Force Majeure – Ruben Östlund (2014)

Force Majeure got little buzz at Cannes, and looked a mix of serious drama and satire, so my hopes were low. Happily, it turned out to be underrated; the satire is balanced by psychological nuance and writing that mines the territory in relationships between the trivial and the weighty. It’s an effective satire of the “Dad impulse” (over-explaining coupled with under-performing) but manages a level of modernist-style symbolism that both keeps the film itself from triviality and elevates it to Euro art film territory (which it easily inhabits). It works on multiple levels. Not amazing, but very solid and memorable.

Three and a half stars out of five

Goodbye to Language – Jean-Luc Godard (2014)

I’d recommend Goodbye to Language even if it were horrible, simply because it is Godard in 3D. It is not horrible, however, and resides aesthetically somewhere at the middle point between Godard’s relatively more “normal” late narratives and his video work a la JLG/JLG and Histoire du Cinema. His use of 3-D is easily the most interesting I’ve seen (in a “mainstream” release), and the film is quite funny too. Spoiler alert: the juicy fart Foley work in this rivals the Wet Hot American Summer DVD for over-the-topness.

Four stars out of five